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The Wizard of Oz (70th Anniversary Two-Disc Special Edition)

admin — Tue, 08 Dec 2009 12:28:07 +0000

When it was released during Hollywood's golden year of 1939, The Wizard of Oz didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite saw its popularity soar. And while Oz's TV broadcasts are now controlled by media mogul Ted Turner (who owns the rights), the advent of home video has made this lively musical a mainstay in the staple diet of great American films. Young Dorothy Gale (Judy Garland), her dog, Toto, and her three companions on the yellow brick road to Oz--the Tin Man (Jack Haley), the Cowardly Lion (Bert Lahr), and the Scarecrow (Ray Bolger)--have become pop-culture icons and central figures in the legacy of fantasy for children. As the Wicked Witch who covets Dorothy's enchanted ruby slippers, Margaret Hamilton has had the singular honor of scaring the wits out of children for more than six decades. The film's still as fresh, frightening, and funny as it was when first released. It may take some liberal detours from the original story by L. Frank Baum, but it's loyal to the Baum legacy while charting its own course as a spectacular film. Shot in glorious Technicolor, befitting its dynamic production design (Munchkinland alone is a psychedelic explosion of color and decor), The Wizard of Oz may not appeal to every taste as the years go by, but it's required viewing for kids of all ages. --Jeff Shannon On the discs The 2009 Wizard of Oz Two-Disc Special Edition DVD has the sharp 2005 restoration using Warner's Ultra Resolution process and an accompanying featurette on how it's done. The technicians also discuss how the sound was remixed, though that would have been more effective had it included surround-sound demonstrations (the featurette is in 2.0). Other features include a commentary track by critic John Fricke supplemented by vintage cast interviews (he offers a lot of trivia, and debunks the myth that Shirley Temple was ever close to getting the Dorothy role); profiles of nine cast members and clips of other movies they appeared in (including Toto); a lightly animated 10-minute storybook narrated by Angela Lansbury; and the original mono track and a music-and-effects track. New for 2009 is a sing-along track that you can turn on as you watch the movie or you can select from 10 numbers to sing along with karaoke-style subtitles. The second disc has the Lansbury-hosted documentary The Making of a Movie Classic; the outtakes and deleted scenes, including Judy Garland's "Over the Rainbow" reprise and the home-movie recording of "The Jitterbug"; the sketches and stills and composer Harold Arlen's home movies; the audio underscores and radio programs; the 1979 interviews with Margaret Hamilton, Ray Bolger, and Jack Haley; 2001 and 2005 behind-the-scenes featurettes; a 1950 Lux Radio Theater broadcast; and other items too numerous to mention. --David Horiuchi

Transformers: Revenge of the Fallen (Two-Disc Special Edition)

admin — Sat, 28 Nov 2009 04:00:26 +0000

Pure. Popcorn. Entertainment. That's an exact classification of director Michael Bay's Transformers: Revenge of the Fallen. Think of Transformers 1 on crack. In other words, this sequel took all of the extreme elements that made fans love the first movie and increased them exponentially. The action is nonstop, with battles and explosions from start to finish. The camera (without any subtlety) exploits Megan Fox's hotness to the max. As if she weren't enough, a new sex kitten (Isabel Lucas) is thrown into the equation. Shia LaBeouf is as charismatic as ever, and fills the starring role with ease. And then there's the humor. Sam's parents (Kevin Dunn and Julie White)provided some semi-raunchy laugh-out-loud moments in the first movie, but now they take it to the next level. Sometimes it seems like they are trying a little too hard, but it is still hilarious. As far as the â��plotâ�� goes, the writers didn't waste much time--it's really just a context for the giant-robot death matches and dramatic slow-mo sequences. The movie kicks off two years later where the Autobots have formed an alliance with the U.S. government, creating an elite team led by Major Lennox (Josh Duhamel), in an effort to snuff out any remaining Decepticons that show up. The bad guys keep coming, and it turns out that a much more menacing force than Megatron is out there--and it is looking for something on Earth that is tied to the very origin of the Transformers race. Fans of the franchise will be delighted by the addition of many new robot characters (there are well over 40 in the sequel, versus only 13 in the first). The second Transformers has shaped up to be one of the worst reviewed and most successful movies of all time. This strange pairing is really just an indication that this movie has one purpose: to entertain. The creators didn't want to waste time bogging down the action and drama with substance--which was arguably a good decision. --Jordan Thompson Stills from Transformers: Revenge of the Fallen (Click for larger image)

Harry Potter and the Half-Blood Prince (Two-Disc Limited Special Edition + Digital Copy)

admin — Sat, 21 Nov 2009 10:42:32 +0000

The sixth installment of the Harry Potter series begins right where The Order of the Phoenix left off. The wizarding world is rocked by the news that "He Who Must Not Be Named" has truly returned, and the audience finally knows that Harry is "the Chosen One"--the only wizard who can defeat Lord Voldemort in the end. Dark forces loom around every corner, and now regularly attempt to penetrate the protected walls of Hogwarts School. This is no longer the fun and fascinating world of magic from the first few booksâ��it's dark, dangerous, and scary. Harry (Daniel Radcliffe) suspects Draco Malfoy (Tom Felton) to be a new Death Eater recruit on a special mission for the Dark Lord. In the meantime, Professor Dumbledore (Michael Gambon) seems to have finally removed the shroud of secrecy from Harry about the dark path that lies ahead, and instead provides private lessons to get him prepared. It's in these intriguing scenes that the dark past of Tom Riddle (a.k.a. Voldemort) is finally revealed. The actors cast as the different young versions of Riddle (Hero Fiennes-Tiffin and Frank Dillane) do an eerily fantastic job of portraying the villain as a child. While the previous movies' many new characters could be slightly overwhelming, only one new key character is introduced this time: Professor Horace Slughorn (with a spot-on performance by Jim Broadbent). Within his mind he holds a key secret in the battle to defeat the Dark Lord, and Harry is tasked by Dumbledore to uncover a memory about Voldemort's darkest weapon--the Horcrux. Despite the long list of distractions, Harry, Ron (Rupert Grint), and Hermione (Emma Watson) still try to focus on being teenagers, and audiences will enjoy the budding awkward romances. All of the actors have developed nicely, giving their most convincing performances to date. More dramatic and significant things go down in this movie than any of its predecessors, and the stakes are higher than ever. The creators have been tasked with a practically impossible challenge, as fans of the beloved J.K. Rowling book series desperately want the movies to capture the magic of the books as closely as possible. Alas, the point at which one accepts that these two mediums are very different is the point at which one can truly enjoy these brilliant adaptations. Harry Potter and the Half-Blood Prince is no exception: it may be the best film yet. For those who have not read the book, nail-biting entertainment is guaranteed. For those who have, the movie does it justice. The key dramatic scenes, including the cave and the shocking twist in the final chapter, are executed very well. It does a perfect job of setting up the two-part grand finale that is to follow. --Jordan Thompson

Transformers: Revenge of the Fallen (Two-Disc Special Edition) [Blu-ray]

admin — Wed, 18 Nov 2009 20:20:44 +0000

Inglourious Basterds (2-Disc Special Edition) [Blu-ray]

admin — Tue, 17 Nov 2009 05:41:14 +0000

Although Quentin Tarantino has cherished Enzo G. Castellari's 1978 "macaroni" war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There's a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol' boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps--and he means that literally. Even as Raine's band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as "The Jew Hunter." Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale. Now, this isn't one more big-screen comic book. As the masterly opening sequence reaffirms, Tarantino is a true filmmaker, with a deep respect for the integrity of screen space and the tension that can accumulate in contemplating two men seated at a table having a polite conversation. IB reunites QT with cinematographer Robert Richardson (who shot Kill Bill), and the colors and textures they serve up can be riveting, from the eerie red-hot glow of a tabletop in Adolf Hitler's den, to the creamy swirl of a Parisian pastry in which Landa parks his cigarette. The action has been divided, Pulp Fiction-like, into five chapters, each featuring at least one spellbinding set-piece. It's testimony to the integrity we mentioned that Tarantino can lock in the ferocious suspense of a scene for minutes on end, then explode the situation almost faster than the eye and ear can register, and then take the rest of the sequence to a new, wholly unanticipated level within seconds. Again, be warned: This is not your "Greatest Generation," Saving Private Ryan WWII. The sadism of Raine and his boys can be as unsavory as the Nazi variety; Tarantino's latest cinematic protÃ©gÃ©, Eli (director of Hostel) Roth, is aptly cast as a self-styled "golem" fond of pulping Nazis with a baseball bat. But get past that, and the sometimes disconcerting shifts to another location and another set of characters, and the movie should gather you up like a growing floodtide. Tarantino told the Cannes Film Festival audience that he wanted to show "Adolf Hitler defeated by cinema." Cinema wins. --Richard T. Jameson